Trident 80B 500 Series EQ
This classic Trident EQ provides powerful tone shaping capabilities for every track in your mix with a simple, easy-to-use interface.
Silo SoundLabs uses iLok License Manager for software activation (1 activation per license). For more information, go to www.ilok.com.
The classic Trident 80B EQ, recreated in a 500 Series lunchbox style, modeled in partnership with Trident Audio Developments. The distinctive and remarkable 80B sound has never before been captured as accurately or as faithfully as it has in this Silo Sound Labs plug-in, confirmed by Trident’s own ‘golden-ear’ team of veteran, Grammy-awarded producers and engineers. Download it now, and let your tracks come alive with the signature Trident sound from countless hit recordings. Use the Trident 80B EQ plug-in on each and every track in your mix – Silo’s ‘near-zero’ system overhead SiloDNA lets your creativity flow.
The Trident 80B EQ Plug-in contains sweepable frequency bands in the Low Mid and High Mid positions, with up to 15 dB boost and cut. Low Mid frequency range is 100 Hz to 1000 Hz, while the High Mid range is from 1 kHz to 15 kHz. A Low shelving filter corner frequency can be set to 60 Hz or 120 Hz, with High shelving corner frequency settable to 8 kHz or 12 kHz, both with up to 15 dB boost or cut. A 2nd order HPF at 50 Hz can be engaged/disengaged.
|Low Shelf||60 Hz/120 Hz, selectable||+/- 15 dB|
|Low Mid||100 Hz to 1500 Hz, sweepable||+/- 15 dB|
|High Mid||1 kHz to 15 kHz, sweepable||+/- 15 dB|
|High Shelf||8 kHz/12 kHz, selectable||+/- 15 dB|
Over 50 years of Trident History!
Trident Studios was originally constructed in 1967 by Norman and Barry Sheffield as the in-house studio for the Centredisc label. Following the first major hit to come out of the studio, “My Name is Jack” by Manfred Mann, Trident Studios would establish itself as one of the few top studios in the world.
In 1970, the in-house Trident engineers built a small 6×2 desk for the tape copy room, which would mark the start of a much larger enterprise.
Space was a problem in the control room at Trident, with the console location being next to a lift housing. They needed a 16-track desk that would fit in a space of 1.5m, but also be upgradable to accommodate 24-tracks in the near future. After lengthy discussions with various manufacturers, Trident decided to build the console themselves. A room was set aside on the top floor of the studios, and after a year of experimentation, design, and building, the first desk was finished and installed.
That sound was created through painstaking listening tests by the engineers at Trident; people like Ken Scott, Roy Thomas Baker, Malcolm Toft, Barry Sheffield and designer Barry Porter would get together and literally change components until they got the sound they wanted. The sound was crafted more by ear than anything, which ultimately makes its sound stand apart from all others.
The Trident B Range.
Before the installation of the first A-Range, word had already spread. Trident was asked to build a custom version for musician and producer John Congas in early 1972, which would become the Trident B-Range. When a second order came in from Chipping Norton Studios, Trident Audio Developments, or TRIAD, was officially formed as a manufacturing company.
With the newly formed Trident Audio Developments initial success of both the A-Range and B-Range consoles, development began on new console designs to expand the company’s offerings. Trident quickly experienced even more success with the Fleximix and TSM consoles both being released in 1979.
The Trident Series 80
In 1980, the first Series 80 Console was released and quickly became Trident’s most successful console. The Series 80 was followed by the Trimix, and then the revered Series 80B console was released in 1983. The 80Bs became one of the most popular consoles at the time, offering many options and configurations at a price point that made Trident console the most competitive option of the time.
The Series 80B established itself as a world-renowned console, not only because of its features, but particularly because of its EQ. The 80B EQ is considered one of the best EQs, especially for rock. The list of artists and albums cut on 80Bs is so extensive, a complete list is difficult to compile. As a testament to the consoles, the 80Bs still remain in demand and are working to this day!